Thursday, September 30, 2010

City Of The Dead (Among The Ghosts Of Argentina)


*photo taken by Josie herself*

I won’t bore you with the usual travel diaries. Yes, the city is amazing, the food is off the hook and the people are really nice, just like in every country you’ve never seen before. In this regard, Buenos Aires holds up to the standards admirably well. I didn’t travel all over the American continent to make ethnocentric remarks and take tacky Facebook pictures. I came to Argentina with the firm intention to challenge my beliefs and clash at full speed with another culture. Today I was served well.

Thanks to Josie, we went to visit El Cemetario de la Recoleta. She has a thing for cemeteries, the sacred, the ritualistic aspects of life and death. So do I. The idea seduced me from our apartment in Montreal. Somehow, it escaped my attention that this was no ordinary cemetery. Let me explain. La Recoleta is the rich/touristic district of Buenos Aires. For a Montreal referent, think of the area from Papineau to Parc and Sherbrooke to Laurier. Nice, touristic and not much misery to witness (as a matter of fact, Buenos Aires is a city that hides its unfortunate very far from the hot places because I can count those I saw on the fingers of my hands).
No everyman is buried at La Recoleta. Only the rich and the important. Politicians, writers (no Borges, Cortazar or Puig), actors, tango dancers, etc. It’s an historical fact, when too much rich and famous people are at the same place together, decadence happens. The cemetery isn`t decadent in itself, but its...its...out of this world!

Picture this. Your typical British hub with tiny streets full of dead people, already put in their coffins. Mausoleums, when they’re not the kick-ass spectacle of the cemetery, become like tiny houses and yearn for respect and quiet as much as they command for awe. Some monuments are bigger than the very house I lived in for the first nineteen years of my life. There are so many angels around this lot belted by brick walls that it’s truly like walking among the dead. Some of the mausoleums are so old and beat up, the doors are wide opened and the coffins are left vulnerable to the ogling tourists. I witnessed this on many tombs and wondered if people ever came to watch over their sleep. Do they have mother, a brother or a sister to watch them? Or did time destroyed that too?

I felt like an intruder, but there’s something in this place, a luxuriant overflow of architectural brilliance that begs to be watched and remembered. The dead of La Recoleta have found their way to battle the one true death and it’s with the sometimes cold and awkward company of tourists. I have seen the last rest of many men and women I never knew before. I have looked through the glass door of their mortuary houses and felt the uneasiness of their presence all around me, like the protagonist of an H.P Lovecraft story. I’m not sure there are any places like this somewhere else. Many cemeteries I heard, are worth visiting, but I’m sure none of them is a city where you have to be dead to move in.


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Wednesday, September 29, 2010

Hello From Buenos Aires

No display photo! (We will get to that later). Just want to say hi and mention that I am still alive. JFK Airport in New York was a trip (I will write a piece on this alone) and the plane was another one in itself. Right now I will head out and pound the streets of Buenos Aires for the day (the vibe is wild here). You might have heard rumors, but I have not died in an atrocious plane crash or either have been held up by a Chilean drug lord.

More To Follow

Ben

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Sunday, September 26, 2010

Blind Guardian - Goodbye My Friend




I can't leave you without a song. Here's a funky-dwarf-Terry-Goodkind-Ponytail song, to show you I'm leaving in high spirits. I'm dedicating the song to AT, who dedicated one himself to Josie & me over Facebook. This one is for you my man! May you dream of dwarves, elves and forests while we're gone!

Blind Guardian - Goodbye My Friend

Who can tell me who I am
who I am my friend
I'm an Alien so they say
a risk to everyone

NO - Tell me what do they see
NO - Tell me what do they feel
NO - Tell me what do they fear
NO - Tell me what do they see

I'm a dwarf but I know more than You
and I'm the key to a better life
from terror I could escape
but I need your helping hand
so far from home where I'm left alone
Did You hear my crying?
Did You hear my crying?

Goodbye my friend
I found you at the end
I say Goodbye to all
Goodbye my friend
thanks for your helping hand
I say Goodbye to all my cries
just say Goodbye

No returning nevermore
No returning nevermore

And I'll remember
Communication to you is so strange
you I trust to noone no warmths reach your heart
to you I'm the stranger but you're strange to me
You destruct all what is unknown to you
We are together now
and don't you know I'll come back again
I must go now

Ref.

(Solo)

I will go home now
I will go home now
much too long I'm forced to stay
in visions I see
so dark and so deep
mankind will destruct all life
See you again I hope I will
see you again at the end?
My tortured soul cannot forget the pain
now I find my way back
I WILL GO HOME NOW
I WILL GO HOME NOW



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Dead End Service Announcement



Well, the moment is there, I'm leaving tomorrow morning at 6 and will have my writer ego travelling to Argentina, land of Borges, Cortazar and Puig, for the next two weeks. For travelling and resourcing purpose, I obviously won't be writing as much. I won't be completely silent though. Josie brings her diminutive netbook along for the trip so I will try to recap the days when I can, without giving the usual boring traveler crap: "I was in San Telmo, it was gorgeous", etc.

Sorry for those who enjoy my manic posting habits, but I'm taking a step back in order to take my craft a whole mile forward. I will be back for Thanksgiving Monday (October 11th), where I will resume posting as usual. That said, Dead End Follies has enjoyed tremendous success lately and I want to thank you all for making this possible. The number were never better. Bear with the site for the next two weeks, it's going to be more of a normal blog, rather than a venting shaft for my boiling mind.

See you soon!

Ben


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Book Review : Raymond Carver - What We Talk About When We Talk About Love (1981)



Country: USA

Genre: Literary/Short Stories

Pages: 159



Pass me the dunce cap right now. I have picked up What We Talk About When We Talk About Love after reading an article on Claudia Del Balso's blog about the writer disease of adjectives and adverbs. She pointed Carver out as a writer who achieved kick ass prose without those leeches. So I picked it up again, this time with the willingness to give the man a fair shot.

I managed to make for myself, a case for second readings and another one against reading in the subway. The first time, I found a way to bypass some of the most sharp and sincere prose I was given to read. In his short stories, nothing happens to Carver's characters directly. It already did. His prose has no selfish needs and deals exclusively with his characters and their relationship with loneliness, sometimes created by events and sometimes by their very nature.

Some critics would say that there's no action, that there's not much to his short sketches, but it's not true. His stories are kept short enough to stay universal. They depict real humans and the everyday struggles that are common enough to be unique. The story Tell The Women We're Going takes even a thriller-ish angle and depict with vivacity how normal people, with no story, come to do despicable actions.

It's a short, punchy read that will keep you deeply focused in quick bursts. There is no novel, just voyeuristic glimpses at people's personal distress. Every writer that wrestles with philosophical considerations about his work (like...hem...me) should put the breaks and read Carver. It's as good, if not better than any fiction writing help book. It's serious enough to be dark and touching and it's masterful enough that you can hop from a story to another without cursing at Carver to keep us from longer works.







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Saturday, September 25, 2010

Movie Review : Red Riding: In The Year Of Our Lord 1983 (2009)



Country:

United Kingdom

Recognizable Faces:

David Morrissey
Sean Bean

Directed By:

Anand Tucker



I have to finish this. I started watching the trilogy in July, I have to finish reviewing it. The first chapter was so-so, the second one stretched the plot so thin you could see holes, how bad could be the third? Red Riding is an ambitious idea, the way Columbia Space Shuttle was. The second chapter left it shaky and despite all the good will in the world, a third director couldn't stop what was coming.

Red Riding: In The Year Of Our Lord 1983 is the story of Maurice Jobson (David Morrissey), background character in the first two movies, who can't bear the weight of his rotten colleagues anymore. Corruption, torture and other injustices are starting to get to his soul. When young Hazel Atkins disappear, the mustache-wearing cop decides that it's enough and he turns his vest against his co-workers, because law isn't justice...and Maurice is tired of that.

So is John Piggott (Mark Addy), mediocre lawyer, who's revisiting the case of some of the 1974, at the demand of convict Mike Myshkin's mother. Somehow, his father was implicated in the sordid, but unclear political games that are played behind the scenes. The only explanation for the whole "cops let killers loose" plot lines is a repeated shot of a toasts where cops say: "To the North, where we do what we want". I'm puzzled, is the novel that cryptic and unclear? Because the movies play like they were scripted by Timothy Leary in his good days.

The theme moving Red Riding is close to my heart. The dichotomy in between the concept of justice and it's application by man: law. The treatment (at least in the movies) is ungodly poor. The characters are self-centered, sometimes career minded even. It's a schizoid narrative where the plot and the characters don't communicate. And I'd rather don't talk about the cheap shot at religion. I don't defend religion much, but Red Riding: In The Year Of Our Lord 1983's comment is completely unwarranted.

The movie is well shot, the slow motion moments and the flashbacks are used in creative fashion and make the movie stand-out from your normal flick. It's smart, but a little pretentious...and the plot? It's a disaster. Red Riding Trilogy is a nice car that crashed right into the wall.

SCORE: 55%


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100 Best First Lines From Novels



A good first line is a way to turn your novel into a classic. As it doesn't grant you readers, it might very well spark a second and third reading and make your novel a timeless piece. Here's the top 100, compiled by the American Book Review. Follow the link if you want the whole thing, but here are my 10 favorites. Whether I read the novel or not is irrelevant, only the quality of the line matters.

Happy families are all alike; every unhappy family is unhappy in its own way
-Leo Tolstoy, Anna Karenina

It was a bright cold day in April, and the clocks were striking thirteen.
George Orwell, 1984

The sun shone, having no alternative, on the nothing new.
-Samuel Beckett, Murphy

Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.
-James Joyce, Ulysses

The sky above the port was the color of television, tuned to a dead channel.
-William Gibson, Neuromancer

Ships at a distance have every man's wish on board.
-Zora Neale Hurston, Their Eyes Were Watching God

All this happened, more or less.
-Kurt Vonnegut, Slaughterhouse Five

You better not never tell nobody but God.
-Alice Walker, The Color Purple

When Dick Gibson was a little boy he was not Dick Gibson.
-Stanley Elkin, The Dick Gibson Show

The past is a foreign country; they do things differently there.
L.P Hartley, The Go-Between



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Friday, September 24, 2010

Social Distortion - I Was Wrong



I've been rocking out to Social Distortion for the last few days. They have their own blend, their own take on punk music, a bit like Bad Religion. They don't sound like anything you've ever heard, specially not the formatted punk band of the 90's. I Was Wrong was their first song I've ever listened to. I have a sentimental attachment to it. Today, the song has even more meaning. The lyrics are about how everything is so dramatic and important when you're young and as your world expands, you can't help but look back and shake your head. Oh and the video is awesome too.


Social Distortion - I Was Wrong

Oh, when I was young
I was so full of fear
I hid behind anger, held back the tears
It was me against the world
I was sure that I'd win
But the world fought back, punished me for my sins
I felt so alone
So insecure
I blamed you instead, made sure I was heard
And they tried to warn me
Of my evil ways
But I wouldn't hear what they had to say
I was wrong
Self destruction's got me again
I was wrong
I realize now that I was wrong

And I think about my loves
Well, I've had a few
Well, I'm sorry that I hurt them
Did I hurt you too?
I took what I wanted
Put my heart on the shelf
But how can you love me when you don't love yourself?
It was me against the world
I was sure that I'd win
The world fought back, punished me for my sins
And they tried to warn me
Of my evil ways
But I couldn't hear what they had to say

I was wrong
Self destruction's got me again
I was wrong
I realize now that I was wrong
I was wrong, yeah
I was wrong

I grew up fast
And I grew up hard
Something was wrong from the very start
I was fighting everybody
I was fighting everything
But the only one that I hurt was me
I got society's blood running down my face
Somebody help me get outta this place
How could someone's bad luck last so long?
Until I realized that I was wrong

I was wrong
Self destruction's got me again
I was wrong
I realize now that I was wrong
I was wrong
Self destruction's got me again
I was wrong
The only moment that I was me
I was wrong
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It Happened Near You



There's a thing with me. I'm getting punked out a lot. On a bad month, I'd say two or three people can give me shit, out of the blue. I think it's something about my face. I must have a pushover face. Something in my facial features must scream: "Pour your monthly frustrations here". It's not the case. I can go from passive-aggression to all-out hostility, depending on my mood. My faithful readers know this already, now is not a time to give me shit. Especially if you had no reason. And yet it happened.

Yesterday after work, I clipped the leash on the dog and went out. Business as usual, I always do that. We were waiting at the street corner, minding our own business and then the green light appeared. You know, that green light with a walking man emoticon, saying "PEDESTRIAN FIRST". Being a career pedestrian and all, I took my cue and crossed the street. Then I heard it. MEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEP. I turn around and there's this white car. I can't see the driver properly because he has those 30% tinted windows. He's one of those law abiding bad-asses. I can only distinguish his suit, his white hair and that he's pretty skinny. I stop walking and yell: "WHAT?"

MEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEP.

Again.

"WHAT?" I yelled. "WHAT'S WRONG WITH YOU?"

He opened his door.

At this moment I was ready to throw down with that asshole. I was two seconds away from booting his headlights. I hate guys that think just because they wear a suit, they are the only people doing the REAL work. I had spent the last eight hours dealing with people like him, helpless with their computers. I think it showed because...

He closed the door and left.

But I wasn't done. Furious, I gave him a middle finger, while crossing to the other side walk. And he stopped again. He must have thought he had some kind of suit-wearing authority over me. From the sidewalk I yelled: "COME ON MAN, GET OUT OF YOUR FUCKING CAR. LET'S TALK. COME HERE AND LET'S FUCKING TALK IT OUT"

He just left. Anger didn't leave me though. I spent the whole evening cranky because of this asshole. Bed and a Raymond Carver anthology calmed me down around 9 PM. One of my preoccupations in life is to not taint the others with my bullshit. This guy poured it all over me because it felt to heavy for him. And you know the worse part?

It happens all the time.



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Movie Review : Law Abiding Citizen (2009)



Country:

USA

Recognizable Faces:

Gerard Butler
Jamie Foxx
Leslie Bibb

Directed By:

F. Gary Gray



I've said it already, movies hyped by Spike TV have no credibility for me. They sell sex and violence (which can be OK sometimes), but in Spike TV promoted movies, hype money overweight plot and quality. I tiptoed around Law Abiding Citizen for a good year now, but Gerard Butler stared down my soul from the box art, saying: "What's up pussy boy? Not man enough to see one of my movies? This is a good one lad!" I don't obey to many actors: Gerard Butler, Sylvester Stallone and Jason Statham.

Law Abiding Citizen isn't a movie. There's no dramatic tension, no character development and the main protagonist is an asshole. Just good ol' Gerry Butler sticking it to the system. It's like a two hours long internet meme...and it's awesome. Within the first thirty minutes of the movie, Gerard Butler witnesses the murder of his wife and daughter, the court makes a deal with the main antagonist Darby (Christian Stolte), ten years go by and he takes his vengeance in the most bloody, gruesome way. Any normal director would've made a movie out of those events. But not F. Gary Gray! The movie just started.

Turned out that Clyde Shelton (Butler) had spent the ten years since the sentencing of his attackers, meticulously plotting a megalomaniac revenge plot where he would expose the farce of the judiciary system and kill everybody if they didn't agree with his values. Also, he happens to be a millionaire and an electronics genius. I didn't expect less from one of the new American action heroes. He's also very sexy. I had a thought for my Weirdly Obsessive readers when law enforcement handcuffs a butt-naked Gerard. Yummy!

Aesthetic considerations aside, the movie takes a more normal tone in the last hour, if not a little James Bond\Jackal Hollywood-ish. Jamie Foxx delivers the goods as asshole district attorney Nick Rice, who keeps being a turd despite Clyde Shelton's spirited efforts to open his eyes. Shelton is the only, even remotely, sympathetic character. His vendetta is a self-sacrifice and the only way to stop him is to abandon a little part of your soul. He shakes his opponents most well-anchored beliefs and forces them to a new perception. There is no "happy" ending. Some die, some survive, but there is a part of them gone.

Conceptually speaking, I like the ideas vehiculed by Law Abiding Citizen. It's a rare occasion where Hollywood and I agree. Visually speaking, despite the rocky, avant-garde, all-over-the-place start, it's ridden with clichés like blue/orange color filters. Only the last scene (and I'm not spoiling) is breathtaking of beauty and sadness, but apart from that, it's a little monotonous in its manners. Kudos for not employing the trademark "shaky camera" for the action scene and keeping it professional with wide angle shots.

Overall, Law Abiding Citizen is one little interesting oddity in Hollywood's landscape. It's not perfect by any means, but its unique brew of cheap action and deep reflexion about the concepts of law make it an above average movie that you might need more than one viewing to get a hang of. It's a great rental and I consider buying it once the price will hit the bargain bin.


SCORE: 82%




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Thursday, September 23, 2010

Book Review : Chuck Sambuchino - How To Survive A Garden Gnome Attack (2010)



Country: USA

Genre: Humor

Pages: 106



I'm a man. That means I'm born with ninety gigabites of information, theory, philosophy and finger painting .pdf files about how to survive a zombie apocalypse. It's in the DNA, I can't help it. Ladies, try this. Start a discussion about zombies with men around you and they will obey to a primordial instinct and form a circle around you to debate the best practices in dispatching the undead. Therefore, reading tomes like The Zombie Survival Guide is useless to males, because we're ready. Zombies are a long shot though. Are there more pressing threats? Of course there are. Chuck Sambuchino informs us about the closest, most imminent threat to mankind survival: Garden Gnomes.

In his 106 pages tome of his, Sambuchino awakens men's intellect to the dangers of lawn ornaments. Using a simple Assess, Protect, Defend & Apply strategy model, he guides us, the reader, to build a proper defense system for our home. Thorough, Sambuchino covers the whole field of home protection. From assessing the distant threats of neighbors gnomes to one-on-one combat methods. My favorite part was "Protect" where he exposes an array of methods you can use to booby trap your yard against the twelve inch menace. The small and practical survival guide is also full of visual evidence of gnome life around the household. You will know what to watch for when it's your turn to repel the merry danger.

I had worries when I started reading this book. I thought the subject might have been a little slim and that the 106 pages format was too thin also. I was scared that it would be stretched out or crammed and overloaded. Sambuchino dutifully tiptoed around those issues, using method and structure. How To Survive A Garden Gnome Attack covers only one aspect of gnome invasion: defending your household (and staying alive while doing so). He never stretches out on a subject he doesn't finish. The serious tone and the creative research makes it even more compelling. Needless to say, it leaves place for a sequel along the lines of: How To Survive A Garden Gnome Apocalypse. I'm already having goosebump over that sight: winter snow melting in May, uncovering an Armada of dormant garden gnomes all around me. Chuck, we need answers!

Step off your Mac-Book-Starbucks-Dwelling intellectual shoes for a seconds. If you don't you will end up a dead Mac-Book-Starbucks-Dwelling intellectual. Jonathan Franzen can always wait. While How To Survive A Garden Gnome Attack ain't exactly literary, it's the survival equivalent to The Elements Of Style. It's a book you carry around and study. Because when the gnomes attack, you rather be ready than dead.




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Analyzing Sarkozy Was There...




Nicolas Sarkozy is the president of France. He's also (/editorial comment) a pushover, more concerned by his image is magazine than his own country. In a crazy (and very stupid) (and very right wing) attempt at feeding this baby-faced democratic savior buzz, in November of 2009, the one who's call "Sarko" by the cool and the connected tagged himself in a Facebook picture. That picture was him, hacking away at the Berlin wall (see post display picture upwards). Problem? He was never there. A blogger uncovered his prick move by pointing out that the dates didn't add up. At the date Sarkozy gave, the wall was down already. He later said it was a mistake, that he mixed up the dates. But come on, what kind of president doesn't get this double checked? A president that's obsessed with his image, that's who. He wanted that picture out so bad that he put it on the net without asking anyone.

And the internet is an unforgiving bunch. In order to take the best piss possible at their president, the french have launched Nicolasyetait.com, where the point is to upload your best photoshop of Sarkozy during historical events. This is pretty fuckin' funny. It was brought to my attention in Cracked's article: 6 Insane Foreign Memes That Puts Locals To Shame..and it held it's promises. Here's a few good ones.



"Sarko", during one of the most crucial events of American History.



Prior to his presidential term...



His earlier years, where he worked in that obscure software company...

Why is it so funny?: If you're a joke, you can't escape your fate...unless you run a dictatorship (I'm looking at you Kim-Boy). Sarkozy tried so hard to be relevant that he shot himself in the foot with his own vanity. Not happy to have been outwitted by Poutine and Medvedev on the Georgian question (he convinced them not to attack, but as soon as he was on the plane out, they did) and to make the cover of stupid magazines, he had take it a step too far.

A part of the appeal of "Sarkozy Was There" meme is its poetic justice. The man lied to the world. He tried to give himself an importance and a relevance he doesn't have. When the Berlin wall fell down he was probably studying politics in Paris or having sex in Ibiza. The internet is a great tool of anonymous democracy and it got so big that it's out of control. If a politician did coke and whores in his youth, I can understand it stays undisclosed. But don't go into dellusional forgery, Idi Amin Dada style. And please, may this be a word of warning to the presidents of the future...

DON'T FUCK WITH THE INTERNET!



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Wednesday, September 22, 2010

Zero Punctuation - Metroid Other M



Wow, I didn't even know that re-upped classic was out yet!

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Movie Review : Red Riding: In The Year Of Our Lord 1980 (2009)



Country:

United Kingdom

Recognizable Faces:

David Morrissey

Directed By:

James Marsh




There is a special feeling stories with a lot of scope. Events that bind lives together in unlikely fashion are often exhilarating to read. There is a method to using scope though. First of all, the lives you depict have to be interesting, even when flying solo. When the story connects, the reader/viewer will be euphoric to see both characters meet. Also, the stories have to connect in a meaningful way. This is where the second Red Riding movie fails. It's a very good story, but it's almost irrelevant to the trilogy.

The story goes like this. Closet self-loather Peter Hunter(Paddy Considine) is brought in to replace Bill Molloy (Warren Clarke) on the Yorkshire Ripper investigation. This killer has nothing to do with the first movie. He doesn't kill young girls, but prostitutes (hence, the reference to Jack The Ripper. He's been killing since 1974 and Molloy can't put the finger on him, so they bring in fresh blood. Fresh blood really? Hunter investigated on the Karachi Club Shooting in 1974, which is the even where Red Riding: In The Year Of Our Lord 1974 closes. Hunter is obviously haunted by these event...and he's also obviously handicapped by those in his current investigation. Which leads him in the similar direction that Eddie Dunsford pointed to during the first movie.

There stop the ties. The two movies have the same use. They point in the general direction of the culprits. To its discharge, Red Riding 1980 is a little clearer and anticipates the third movie, but their functions are the same. They are barely linked and Peter Hunter meets(If I can remember well) only one main character from the first movie, awesomely named male prostitute B.J (Robert Sheehan).

James Marsh is not as bold as previous director Julian Jarrold, with his vision,but it somehow serves the movie better. It's less contemplative so the narrative pace benefits from the conventional film noir approach. It illustrate the dichotomy of cinema pretty well. Do you let action or time dictate the image? I think Marsh's approach is the best suited for Red Riding because of the complexity of the plot. There is a little time for tension as there is always something to explain. Marsh draws tension often from heated discussions and bleak atmosphere, which is well achieved.

Red Riding: In The Year Of Our Lord 1980 would have shined as a stand alone movie. Unfortunately, it's the tainted part of the trilogy because it doesn't take its place. The main story, the Yorkshire Ripper hunt, is so irrelevant that main character Peter Hunter doesn't give a flying f*$@ about it. He spends the whole movie looking for answers to his Karachi Club investigation and therefore, the story offers a cheap conclusion to what the story is built around. Hats off to James Marsh for the moody movie, but that storyline is all over the place. It frustrated me more than anything.

SCORE: 71%





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Segments



Sometimes I don't have enough on a subject for single posts. Consider those also like live exercises.

I met this woman while walking my dog. Older woman. In her fifties maybe. She walks that hundred and thirty pounds monster named Mookie. I saw her, but I didn't want to wave and commit to a friendly discussion from across the street, so I looked away. Then I felt like an asshole and looked back. She's a nice woman and casual conversation is harmless after all. But she looked away, she had the same reflex. We kept having these failed attempts at human contact for a minute, maybe. Then we both walked away. I wonder if she went home and felt bad too. We both failed at making the minimum effort to initiate human contact.

...

Something displeases me about that writer, Tom Wolfe. I can't put a name on it. His white suits for example. Some of my author-colleagues would say he's a genius, that he branded himself and created an image way before his time. The way I see things, it's tacky and vain. In the era of internet and name-branding, he's still the only one that does that. There's also something about his aggressive way of being outspoken and happy. He's seeking constant approval of his intellect. It's ticking me off, but it's also intriguing. I have never read a single line of Tom Wolfe, but his works polarizes the crowds. He's unlike all the writers I love, but he's also a part of their group. Hell, he hung out with HST...

...

Unwinding and relaxing are two very different activities. One involves the body and the other involves the mind. Now that I'm doing one in preparation for the other, I can see the difference as clearly as the sky outside my living room window. I'm growing more and more restless as I stay home and function in economy mode. I see the clouds are even moving fast today and I figure out I should be doing something. Unwinding is dangerous. If your mind out of the equation, you will always be tired and always unwind. It's a vicious circle. I should know, I grew up witnessing it. I realize I'm having high expectations out of my trip, but also, I know I'll have to give my 200% over there. My body will hold up because my mind will be at ease, experiencing an array of new experiences. Unwinding is time off and relaxing is time off work. There is such a thing as recuperating responsibly.


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Tuesday, September 21, 2010

It's Banned Books Week!



From September 25 to October 2nd, it's banned book week.

Thanks to The Rejectionist and Pimp My Novel's boss Eric, Banned Books Week was brought to my attention. Even in this day and age where reading, while not being discouraged, is put on an intellectual pedestal. Books are still getting censored all the time.

This year's uproar seems to be around Laurie Halse Anderson's YA novel Speak, but I haven't read it (it's a whopping 8$ on Amazon though). Surfing the American Library Association website, I discovered that plenty of books I've read are getting challenged. Here's a few...

The Great Gatsby, by F. Scott Fitzgerald

It's been challenged only once, in 1987 by the Baptist College of Charleston, South Carolina. For language and sexual references. My point is, if you're going to challenge The Great Gatsby, I don't know what are your expectations of literature. It's as good as it gets. The Bible itself has more sexual references than The Great Gatsby. Challenging this book is stupid and there's no redeeming factor. You can't argue sense into it.

Ulysses by James Joyce

No explanation given, but copies of the book were burned in Ireland, England and Canada over the 1920s. I can't think of any good reason to ban Ulysses also, but maybe fear. I mean, you fear what you can't understand right? Joyce's masterpiece was confusing enough to make mobs regress to the monkey stage.

Beloved by Toni Morrison

This one breaks my heart. It's been challenged many times again for being too violent, having sexual content, bad language, usual idiocy. Beloved depicts the institutionalized tragedy that was slavery. It's important to talk about it and it's important to show slavery like it happened. Beyond literary accuracy, it's a question of honesty. Toni Morrison stepped up to the challenge and was rightfully rewarded by the literary world. Too bad some people are too stupid to understand. It's not an easy read, but it's a powerhouse.

As I Lay Dying by William Faulkner

Once again banned and challenged all over the place. I want to point out that it's been challenged in 1994 in Louisville, Kentucky. Get ready for this...for questioning the existence of God. It's a shame people still can't have an opinion on the issue even 50 years after they died.



That said...



I'm not a leftist buttwipe who thinks everybody should yell out loud everything they think. There are certain books I don't have problems being discussed and even banned in some places.


Lolita by Vladimir Nabokov

Let's be smart. Nabokov wanted to piss people off with this one. It's an incendiary novel made to shake up a dormant culture. Reading Lolita is challenging you as a human being and not everybody can deal with such an assault.

120 Days Of Sodom by Marquis De Sade

I can't think of a single reason why you should read this book. Worse, I can't find a good reason why I did. The way I see it, it's been written with great anger. Like "You want a fucked up book? I'LL WRITE YOU A FUCKED UP BOOK, BUNCH OF PRUDES". It's really horrific in the feces to mouth kind of way...and it's long. I'm sort of happy I read it, but it wouldn't read it again, wouldn't watch the Pasolini movie and would be OK if that whole story disappeared. You can read it if you want, but I won't. You can have my copy if you read french.






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Book Review : Henry Rollins - Art To Choke Hearts & Pissing In The Gene Pool (1992)




Country: USA

Genre: Poetry/Microfiction/Narrative Non-Fiction

Pages: 254



Art To Choke Hearts & Pissing In The Gene Pool are two anthologies of niblets and paragraphs he wrote during and after the Black Flag days. Often when doing spoken word shows, he refers to his early stuff as "really shitty poetry", so I had interest in seeing how I would react since I'm in the same age bracket he was when he wrote those two short anthologies (24 and 26 years old).

You can separate his production in four different categories. Poems, Prose, Endings and memories. The latter two conquered me. The endings are his own, random people's and sometimes the humanity (apocalypse). Alienation causes isolation, which itself causes frustration and violence. Rollins let it all out on the pages of his books, but if this had been caught in due time, it would have scared a lot of people. The visions described by Rollins are those of a violent psychotic man. They read like the nightmares and hypnotic uncontrolled thoughts you have before going to bed. It's similar to the first half of Black Coffee Blues where people are dying and having their lives ruined. The accuracy of Rollins' visions will strike you down with fear and discomfort.

The reason why Rollins' nightmarish sights have so much strength is that they are put in perspective with his own memories in one seamless dreamscape. Memories of his childhood and from the day before mix up together with his description of endings in an unique portrait of a tormented man's mind. It's a rather eclectic compilation of microfiction(and non-fiction), but it's holding up and offers a clearer picture of the human mind than most fiction writers can attempt to give (oh yeah I'm looking at you James Joyce...yeah I went there. I compared James Joyce & Henry Rollins). This book would have ended up being a cold hard truth if it wasn't...

For those love poem moments. Rollins' attempts at traditional poetry fail something fierce. Also, every time a woman gets in the portrait, things take a cheesy turn. I guess that's what he disliked so much in his early stuff. Rollins wrote some great stuff about women. Notably "Invisible Woman Blues", which was my favorite text in Black Coffee Blues. Here, it's not the case. Young Henry's hormones talk louder than his literary talent. I skipped over most of those, which gave me a rather short read. Fans of Rollins will appreciate this small tome, which I heard comes with three other texts in the present edition. If you're interested in knowing more of Henry Rollins' inner self, you want to check out Get In The Van beforehand.




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Monday, September 20, 2010

I'm Leaving Soon...




...for the crowded streets of Buenos Aires. Before last week-end, the trip has been a distant thought for me. I don't know if it's the sensory deprivation of the self-imposed Zen retreat, but it's creeping up my sub-conscious. I am very excited, but also a little anxious. For two weeks, I will do a lot of things I had never done during the last twenty-seven years. Notably taking an international flight, leaving the country and clashing with a culture I know nothing about.

How exhilarating!

I feel that my world has been pretty small so far. My knowledge (which I am way too comfortable with) has been constantly mediated through television, internet, books or whatever. Like I have been looking through a small and dirty windowpane. Now, I'm about to go on the other side and see that it's like. I'm not sure what to expect, but I expect it to change my life somehow.

A small or a little change, but I expect it to change me as a person. Are my expectations too high? I'm not going there to see landscapes at take pictures. I'm going there to see and feel Argentina, to live and understand another culture. Yeah I'll bum around a bit and check stuff out, but I'm going there to look at the world from a different perspective. I think Josie has the same intentions so the trip should be fun and intense.

My comfort zone has never been so uncomfortable.



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Movie Review : Capitalism: A Love Story (2009)



Country:

USA

Recognizable Faces:

Michael Moore

Directed By:

Michael Moore



I can dig a good documentary. Scratch that...I can dig a good documentary that's not about some weird animal I've never heard about. They are an accessible source of information on pressing issues. I have to admit that prodigal-son-of-the-craft Michael Moore is a guilty pleasure of mine. He's not honest, that is a fact. He seeks to convince, rather than inform and it's obtrusive. But once you can mentally tune off his annoying voice, you can appreciate what is good at. And that is research. Moore always digs up the dirty, darker sides of his subject and throws them at your face like it was a dog poop. His documentaries most often hurt and it's intended. Capitalism: A Love Story might just be his most truthful, alarming film.

I like capitalism. I mean...as much as someone can like it. I like it better than communism or dictatorship for example. But it's gotten out of hand. Big time. Moore's latest movie is a plea for socialism (which I chose to disregard), but his exposition of demented, dangerous capitalism is what struck me. A few of his subjects struck me hard. First, do you know that companies in the U.S (big companies, not your small time telemarketing crooks) take insurance policies on your life, so that your death becomes a profit. Picture this (and this is entirely true). No matter how hard you work every day of the week, how much you give of yourself to your boss...you will be worth more for him dead. They even keep stats on this. Moore gave the example of a Bank Of America employee who died of cancer. While his wife grieved and paid the funeral bills, BoA was five million dollars richer.

Moore situates the loss of control over capitalism along the lines of Ronald Reagan's election. He started deregulating the financial market and opened up Pandora's box. People that had money to invest had no more barriers to use the poor to make more money...and to use the poor's money against them, so they could make even more money while the middle class disappeared under a layer of debts. Money becomes a passport to freedom. And by freedom I mean FREEDOM in capital letters and bold font. Capitalism:A Love Story is worth watching for this alone. It's a testimony of the disappearance of the middle class. The quiet suburbs gradually become images.

There are plenty of outrageous examples of hell-bent capitalism in Moore's movie. Another infuriating one is the city of Wilkes-Barre, Pennsylvania. They turned juvenile detention into a business. They had the highest record of juvenile delinquents in America. Not because it's a terrible city, but because locking up kids was profit. Mark Ciavarella and Michael Conahan took over 2,6 million$ from PA Child Care LLC to fill their walls with young delinquents. Kids got locked up for stupid reasons like creating a myspace page poking fun at a teacher or smoking weed at a party. Thank God, this scheme is over now.

I'm still not crazy about Michael Moore, the man. But his movies are giving a terrifying look of America. Most important, there's no necktie wearing man saying: "It's never been better". Moore talks to the middle class he's trying to protect. I wouldn't finish the review without having a word for the Hacker family, the most troubling sight of Capitalism: A Love Story. They are a sign of alarm. No family should experience what they did.

Ever.


SCORE: 94%



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Technical Difficulties: "In The Cold Winds Of Nowhere"



Admit it, I have a knack for dramatic titles. My weekly literary torment isn't depressing as I make it sound. You all know, I'm leaving for Argentina in a week exactly. Next Monday at this very time, I will be at the airport, checking in for my flight. Great, I know. But it also means I'm going to take a lot of time off my novel. Maybe it's for the best because I've been struggling to go forward lately. Since I started working on my second draft, I have done five pages. It's been what now? Two weeks? Don't get me wrong, the five pages are good, work-presentable even, but it's still going slow.

When is the right time to leave your work to cool down? How long of a pause is appropriate? I know many writers I admire take their sweet time with their novels. Jonathan Franzen took nine years to write The Corrections and nine other years for Freedom. Norman Mailer took what? Eleven years to write Ancient Evenings? It's a soothing thought, but for those two, it wasn't their first novel. Neither was it their second. Infinite Jest was published nine years after The Broom Of The System, that's one hell of a second novel to write.

In music, they have this saying that your second album is jinxed. There's an easy explanation to this. You craft your first album all your life, then you strike a record deal with a label and suddenly you have deadlines. Do things work the same in literature? For almost nine months now, I have written like a maniac. You're my witness, I work on my novel every day and on top of things, I am writing two to three times a day on this blog. It's a part of me now, I NEED to write to understand myself better. Writing, aiming high and creating fiction are three different things though and I need to make them all come together.

I'll work on Solace this week still. Last had been a total disaster, but two days of zen monk retreat have done me wonders. I'm not saying I'm back on top, not at all, but at least I have control again. Yeah, I'm going to work on Solace this week. Because there's no reason not to. It's my favorite reason to write. I have created time in order to relax and writing is a relaxing activity.

There is always a clear solution when ideas become words.


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Sunday, September 19, 2010

Foo Fighters - Best Of You



This song creeped its way into my mind during the last few days. I'm not too sure why, but I felt I had to post it. Sorry, I know it's a lot of songs lately, but sometimes, music expresses what you can't say in prose. It's one of Josie's favorite songs, I would have totally walked passed by if she didn't made me stop and listen to it.


Foo Fighters - Best Of You

I’ve got another confession to make
I’m your fool
Everyone’s got their chains to break
Holdin’ you

Would you born to resist or be abused?
Is someone getting the best, the best, the best, the best of you?
Is someone getting the best, the best, the best, the best of you?
Are you gone and onto someone new?

I needed somewhere to hang my head
Without your noose
You gave me something that I didn’t have
But had no use
I was too weak to give in
Too strong to lose
My heart is under arrest again
But I break loose
My head is giving me life or death
But I can’t choose
I swear I’ll never give in
No, I refuse

Is someone getting the best, the best, the best, the best of you?
Is someone getting the best, the best, the best, the best of you?
Has someone taken your faith?
Its real, the pain you feel
You trust, you must
Confess

Is someone getting the best, the best, the best, the best of you?
Oh...

ooooh,oh,oh
ooooh,oh,oh
ooooh,oh,oh
ooooh,oh,oh
Has someone taken your faith?
Its real, the pain you feel
The life, the love
You'd die to heal
The hope that starts
The broken hearts
You trust, you must
Confess

Is someone getting the best, the best, the best, the best of you?
Is someone getting the best, the best, the best, the best of you?

I’ve got another confession my friend
I’m no fool
I’m getting tired of starting again
Somewhere new

Would you born to resist or be abused?
I swear I’ll never give in
I refuse

Is someone getting the best, the best, the best, the best of you?
Is someone getting the best, the best, the best, the best of you?
Has someone taken your faith?
Its real, the pain you feel
You trust, you must
Confess
Is someone getting the best, the best, the best, the best of you?
aaaaaaaaaaaaaaah!!



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So I Went Book Shopping



It's not yet real to me, but I'm leaving soon. Eight days. I'm going to find myself in another country with Josie and nothing else to do but travel and see new things. In preparation for the trip, I went book shopping. We're going to be in airports, planes and buses for a little while, so I figured out I'd have time to kill and breathtaking scenery would lose its appeal after ten hours. Here's what I'm bringing down there with me and why:

David Foster Wallace - A Supposedly Fun Thing I'll Never Do Again

I discovered the man with his interviews, now it's time to see what he can do with a word processor. Since I was seduced by his line of thoughts before his fiction, I thought essays would be a good introduction to Wallace.

David Foster Wallace - The Broom Of The System

Funny story. The copy I checked had a paid stamp from another store and a Chapters receipt in the back. No one could explain it to me, but I got 40% off on it (25% + iRewards). It's a good deal and since Infinite Jest intimidates the hell out of me, this is a good way to dip my toes in Wallace's fiction.

...then I transferred to Indigo further down the road...they had the only copy of a book I wanted.

Jonathan Franzen - Strong Motion

This choice will make a few chuckle. I'm not a bandwagonner, so I refused to read Freedom just because it's on Oprah's Book Club. I also dislike hard covers but that's beside the point. As the last three Franzen novels are of equal appeal to me (they all look amazing) I'm going to start at the beginning. There's something compelling in the character of Louie Holland, I am very eager to read it. He was a good friend of Wallace, so he deserves my attention too.


That's it, that's what I want to bring in vacation. My book-paranoia makes me think I will run out of literature, but you know, there is always airport dramas. I guess reading the latest Grisham wouldn't kill me.

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Saturday, September 18, 2010

Movie Review : The Town (2010)



Country:

USA

Recognizable Faces:

Ben Affleck
Rebecca Hall
Blake Lively
Slaine


Directed by:

Ben Affleck....*facepalm*....again



Fate works in mysterious ways sometimes. You can lose your job and lose your wife during the same week for example...or...you can watch two movies directed by Ben Affleck. Tough times call for emergency measures and in order to make me snap out of my professional exhaustion, AT hauled my ass to the movies so we saw...THE TOWN *thunder roars*

Let me give Affleck a break here. The movie ain't half bad. In fact, it's slightly better than his adaptation of Gone Baby Gone. It's a step further down the road to respectful films, the same that took Clint Eastwood, an obvious mentor of his. The Town is the story of Charlestown, a district of Boston where apparently bank robberies are as common as newspaper delivery. Doug MacRay (Affleck) once a drafted hockey player, took over his father's duties as bank robber extraordinaire and terrorizes THE TOWN with his crew, uzis and thematic plastic masks. The crew wasn't doing so bad until a courageous young woman (Rebecca Hall) was taken in hostage by loose cannon Coughlin (Jeremy Renner) and had therefore to be watched from up close. MacRay sacrifies himself to the tasks, falls in love while Couglin wants to rob more banks and more armored trucks...well you can feel the tension rising I'm sure.

The best way I can describe The Town is to have you to imagine a base-ball player. Imagine he swings to hard on the ball that he does a 360 degrees turn and his helmet slides over his face. No matter if he hit the ball or not, he looks a little dumb. The Town is as entertaining in its merits as in its flaws. Readers of Dennis Lehane will feel its influence on the story, but its been obviously written with the intention of being gritty and gut-wretching...and therefore it feels forced.

Really forced.

No like...really.

Some of the scenes don't even make sense. For example, there's a car chase scene where MacRay's crew barely escapes the police. They torch the car and switch to the next vehicle, which loses the cops but they keep going fast, wearing their masks and wielding their guns, for no reasons. The cops didn't see their license. Also, the bankrobbing crew does like...I don't know, 4 jobs a week? With the FBI on their tail? They keep yapping about having heat on but they can't stop robbing banks! Of course they'll have heat on! It's sometimes hard to get sympathy for the characters.

The Town does a few things very well though. First, Affleck really tries hard to play well. He does his Affleck face (when he puckers up in aggressive discontentment) a few times, but manages to keep it under control. Rebecca Hall is very good too, remniscient of Isabelle Blais, she does a sweet portrait of innocence. Most characters of the support crew feel like carboard cut-outs, the most obviously being Pete Postelwaite, the crime boss with no other purpose of being a mean crime boss. Jon Hamm is also unconvincing as token FBI guy.

Also, an important perk of The Town is its ending. Rare are the endings that live up to their stories, but Affleck's tale of Robin Hood-ism ends in a original and strong note. Somewhat even stronger than its story. I was entertained by The Town. It's not perfect by any means, but in a gloomy Friday, it got the job done. It's one of the interesting cops & robbers movies I have seen lately. It won't go down in history, not even in my movie collection, but it was worth 11$ and will be even more worthy of your 5$ for rental.


SCORE: 74%



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Jimmy Page's & His Self-Indulgent Memoir



This infuriates me to no end. Jimmy Page is an aging rock n' roll icon that used to play guitar for a band called Led Zeppelin. I never really liked Zeppelin. I'm an avid rock n' roll fan, but I can never help but think how would have the landscape of music been if they had never existed and someone Jimi Hendrix had got the dance floor to himself. I'm aware they influenced a lot of lives, and that they are still worshipped by many. They have awakened consciences to the power of rock n' roll...and that makes the follow a bigger...scratch that...and UNBEARABLE crime.

So Jimmy got a phone call on his diamond incrusted Blackberry that conveyed a proposition to write his memoir. It's a good idea, I mean, I have talked about memoirs in the past and I figure out Jimmy Jim might have a thing or two to say. But saying things for Page is the least attractive way of doing a book.

Instead, he's going to publish a 500 pages "visual documentary" of his career. The idea of having a photo book for autobiography sounds a little lazy and petulant already, I know. Fundamentally I still don't have a problem with this. Other people did it before. Music has became something visual over the years. What drives me mad with anger is that Page is going to change 445 Euros for his tome.

445 Euros

Stay it.

Aloud.

Doesn't it sound obscene?

As of today (September 18th, 2010), it's 581$ in American dollars and 596$ in my own Canadian currency. I can hear you from here. Why is it so expensive? It's a 2 500 copies limited edition handbound book, rendered with Moroccan leather...and written with...this is the funniest part..."a unique perspex front". I don't even know what that means. What an un-Rock N' Roll thing to do. Rock is about masses coming together and being all one in the crowd. No matter how rich or poor you are, in a venue, you're just another fan. What a stupid idea to turn his "life story" into an overpriced object of collection. Maybe Jimmy isn't aware of his, but not all his fans are Bono. Neither they live in a villa near Madrid.

I thought we had democratized the access to books with Gutenberg's press in the 1400's. A popular icon, out of all people, pulls his work away from those who made him filthy rich like he is? It's the most disgusting, disconnected and egostical move I have seen from the celebrity culture in a while and it's touching the book industry, which I love so much.

But I have faith in the internet. This unforgiving monster of anonymity. I have good hope that a buyer will scan the whole thing and put it on the net for free. In that case, I will download it and keep it on my hard drive to share with people.

Jimmy Page, you will not get away with this.


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Friday, September 17, 2010

Bruce Dickinson - Taking The Queen



Wasn't going to leave you on a worrying note, wasn't I? Here's one of my inner-selfing songs, performed by Bruce Dickinson. I won't say anything clever and let the lyrics and the melody speak.

Bruce Dickinson - Taking The Queen

Who stole your heartbeat in the night?
The acolytes fearful in the flickering light
They hold a mirror to catch the breath from your mouth
But your breath was stolen by the wind from the south

Another winter's tale is done
Your immortal lover he's gone
The chalice stolen from her hand
Eternal life at her command
Now all that she rules must sleep...

The howling shriek of death in your eyes
The hawklord and the beast enter your room
The gold will turn to rust
Your empire follows you into your tomb

The wraiths of night caress
And whisper softly now, "We are the dead"
They bear your life away
They tear your heart in two
They've taken the queen

To some better place, so they think
As the flame burns low

Now the flame burns higher
Purifies the love that died
And scared rats closed in a life
Back to the earth, sealing the tomb

Our skeletons rise through the veil of blood
Who summons us now from our graves?
"We are the dead"
The shriek of death in your eyes
The hawklord and the beast enter your room
The wraiths of night caress
And whisper softly now, "We are the dead"
They bear your life away
They've torn your heart in two
They've taken the queen

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Friday Morning's Utilitarian Communication (Journal)



It's Friday morning and I don't feel like being nice. I'm stuck at work with nothing left to do but write. I don't feel like being open, doing recommendations or acknowledging people. So I guess I have nothing to do, but talk about myself. Since the last Fight Quest, I have not been well. Any kind of mental strain wears me down like a motherfucker, it's not even funny. Yesterday, I was in the subway, trying to read a little and the words were scrambling up in front of my eyes. I'm all about that "work yourself into the ground" mentality, but the ground is there now. If I'm too worn out to read, life is not fun anymore.

Describing where I'm at right now is not easy because nothing is accurate. It's one murky feeling rather than an accurate sight. Years ago, I have watched Pier Paolo Pasolini's Teorema. I had heard through the grapevine that Takashi Miike's Visitor Q was a rewriting on Pasolini's film and therefore I was interested in seeing a classier, more ambiguous version. I'm not going to spoil this great piece of cinema, but at the end, one of the characters (I forgot which) buries herself up in her tomb. It's a haunting image rather than a coherent story development, but it explains my situation I guess. I want to play dead. I don't want to die, but I want to stop talking, stop going out and stop meeting people for a while. My girlfriend, my appartment, my dog and my computer are all I need. My Playstation would have been handy in those droning moments. Killing polygons never get old.

I can write, but I can hardly think, theorize and plot. It's infuriating when you find the time to work, but your brain just doesn't want to cooperate. As soon as you put effort into it, the blur comes back. I know I'm burning out. My body and my mind are disconnecting alternately and I get very little done. The problem is that I'm caught up in those bullshit masculine cobwebs of "don't worry, I have the situation under control". I clearly don't. Every day, I'm stepping further into uncharted grounds and I don't know where the hell I am anymore. That's the thing with males. They can't face weakness. I think weakness is something that writers should embrace because it's what humanity is about. Perfection is attainable through imperfection.

I guess it's what I'm trying to do here. I was flying high for all summer, but it's time to try and land properly (landing being the Argentina trip in 10 days). I'm not even able to pinpoint where things went wrong. I know the show took a lot out of me, but it's afterwards that I entered that cerebral twilight zone i'm in right now. I'd say it has to do with me wanting so much for others and others not giving a damn. One way streets end up often in car crashes. The monetary retribution I got for the show was great, but my first concern is always the guys who fight. Maybe I'm yearning for acknowledgement too much. Maybe I need to take things with a smile.

That's where I'm lost. Every inch of success I had in my life was because I took things more seriously than everybody else. I'm already drowning in my cynicism, I need to shake some off. Learning to say "no" would also be a good idea. Selflessness will only get you so far. See, I'm repulsed by ideas of self-help books and by people who discourse for hours about how they work on themselves, well stress induced breakdown pushed me right up there.

So I should use that as a lesson...


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Movie Review : Gone Baby Gone (2007)



Country:

USA

Recognizable Faces:

Casey Affleck
Michelle Monaghan
Morgan Freeman
Ed Harris
Amy Ryan
Michael K. Williams

Directed by:

*sigh*...Ben Affleck



Kids should read the Patrick Kenzie stories in school. Instead of making them hate The Great Gatsby and Catcher In The Rye because they are too young to appreciate it, they sould read the stories of the gritty, horny Boston PI, his female partner (and love interest) Angie Gennaro and his psychopath sidekick Bubba Rogowitz. Maybe then kids would love reading. That's how solid of a character Patrick Kenzie is and no, even Ben Affleck can't stop his mojo.

Gone Baby Gone is the story of the McCready family. Little Amanda (Madeline O'Brien) vanished into the night, at the dismay of her cokehead mother Helene (ryan), her uncle Lionel (Titus Welliver) and her aunt Beatrice (Amy Madigan). No one wants to make a big case out of it, except for Beatrice who alerts the police, the media and...Patrick Kenzie (Affleck Junior), private investigator. Patrick & Angie are reluctant to take the case at first, but they end up accepting an throwing themselves into the heart of darkness, to paraphrase Joseph Conrad. The darkness in Dennis Lehane's novel is the one of Dorchester and its hard working citizens who live with their fair share of secrets.

Ben Affleck's directorial debut has one thing going for itself, its faithfulness to the original story. Gone Baby Gone is a good adaptation from Dennis Lehane's novel, if not a bit straightforward and lazy. Affleck sticks to the path, he doesn't use cinematography to enhance Lehane's story in any way. In fact, every risky choice he makes breaks the magic a little bit. Bubba is a tremendous character and despite rapped Slaine doing a decent job, I would have liked him hacked from the movie rather than having this useless role. Same thing for Michael K. Williams as Devin Amronklin. It's a surprising, yet pleasant choice, but only those who read the novel know who he is and what is his importance.

Other than the cast choice, very few things shine above Lehane's story. Affleck follows the tale step by step, using the cinematic equivalent of declarative sentences. Patrick went there. Patrick did that, yelled at the guy, shot the other, etc. There is no clever use of editing or groundbreaking musical input. The reason why the movie is so good is that the story is riveting at the first place. Any given Dennis Lehane story is a gut-wrenching drama that explores the dark areas of human psyche.

I'm one of those "don't watch the movies if you can read the book" guys. For some movies, it's an equal or different experience, but as good as Gone Baby Gone can be, it's still inferior to Dennis Lehane's novel. The trademark psychology and the emotional complexity of the famous Bostonian writer are absent, except for voice-over monologues that are few and far between. If it's unlikely for you to pick up and read a novel in your life, watch it rather than watch a stupid explosion flick. If you're the type of person that reads The Da Vinci Code in the bus, make an effort and go buy the novel.

Score: 70%




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