The latest artsy and deep hyperviolent movie has a thing to two to say about romanticizing violence in movies.
The latest artsy and deep hyperviolent movie has a thing to two to say about romanticizing violence in movies.
The Cool & Lam mysteries aren’t exactly elating, but they’re a reliable form of entertainment.
Three ways Den of Thieves fail to live up to Heat, the movie it’s blatantly ripping off.
I know this movie is called Den of Thieves, but it really is Dipshit Heat.
I’ve seen Heat for the first time last Sunday and it lived up to its cult status in every possible way.
Erle Stanley Gardner was once the best-selling American author. Why have we forgotten all about him?
I hated myself for loving this book. But I did love the hell out of it.
Not exactly a budding classic, but a different take on used up Hollywood tropes.
I had rose-colored memories of this album. While there are some of my favorite Metallica songs on it, it’s just not that good.
This album is, I believe, as close as it gets to the original intent behind Death Grips. It’s a violent onslaught of new and recycled sounds merged together into music you didn’t know you wanted to hear yet.
This movie is not edgy or controversial. It’s self-satisfied and terrible.
There’s a lot of what makes Chuck Palahniuk fantastic in that book. A little too much of it.
The death of the young rapper brings us back to a question we’ve been collectively dodging for decades: how do we want to remember abusive artists?
Jodie Foster meant well with this movie. She wanted to help, but it didn’t exactly work that way.
Should a competent movie about the most incompetent movie of all-time be called a success?
A fragmented and challenging novel from the French professor, but one that reveals the audience to itself as much as it reveals its characters.
Kanye West should inherit the mailman nickname from Karl Malone, because he always delivers.
Read an exclusive excerpt from Seb Doubinsky’s upcoming novel Missing Signal. A Meerkat Press novel. It will be available on August 28, 2018.
52 years after its release, Michelangelo Antonioni’s Blow-Up has a thing or two to teach the world still.
Doubinsky’s greatest talent is on display here: he’s remapping the way you think about the world.
