Tom Cruise, Tony Scott and Jerry Bruckheimer are not subtle men, but they can make you feel stuff.
All in Movie Reviews
Tom Cruise, Tony Scott and Jerry Bruckheimer are not subtle men, but they can make you feel stuff.
Valley Girl is a great teen movie because it knows teenagers are stupid, but never makes the mistake of thinking their feelings are.
Some movies stare into the abyss. This one asks what happens when the abyss needs to be kept alive at all costs.
For all its swagger, Marty Supreme is still a familiar panic attack in better clothes.
Guillermo Del Toro likes himself more than he likes the story he’s telling.
People remember the Mile End years either too fondly or like it was the worst thing in the world, but Mile End Kicks remembers it for what it is.
This is as slow and depressing as it looks and totally worth watching.
Sentimental Value feels like the film Joachim Trier had in him from the beginning, finally realized without compromise.
You don’t remember Keeper for what happens. You remember how it feels while it’s happening.
Dracula worked for 125 years because he was a nightmare. Turning him into a goth boyfriend was never going to improve the formula.
Shelby Oaks doesn’t quite become the horror classic it’s trying to be, but it gets close enough to remind you why trying still matters.
Cinema can stage the epiphany, but the four-track only captured the doubt.
We talk about self-discovery as if it’s excavation, but sometimes it’s submission. Letting someone else tell you what you’ve been all along.
Anemone maybe is national epic, a family tragedy, and a psychological horror all at once, but in the end, it’s just two old men talking to one another and the rest of us are left eavesdropping
