This is the album I wanted Mayhem to make for the last two decades.
Wrinkles the Clown is very much a movie about how to create a boogeyman in the internet age.
It might’ve happened by accident, but it’s one of the greatest retellings of Heart of Darkness we have.
El Camino recaptures the magic from Breaking Bad, but only in fragments.
A creepy, psychologically accurate and sometimes a little bit forceful examination of male youth.
Cuck is exactly like Joker, except the protagonist is ugly and irresponsible instead of being mentally ill.
Ever felt angry and discouraged while browsing Facebook? Here are 4 reasons why.
This movie might not be a masterpiece, but it’s very good nonetheless.
There’s never been a cultural consensus over The Blair Witch Project: was it ever good? That’s what I try to find out in this revisionist review.
The Kanye West Reanimator guy is more than just the Kanye West Reanimator guy.
Four awesome songs. Two decent ones. The band found a way to sound fresh and fun, but doesn’t commit to it.
McGee takes a psychological step forward is what is possibly the darkest novel in the series.
While it delivers enough carnage to qualify as a Rambo movie, Last Blood is pretty damn tone deaf to what makes this character great.
A movie with A+ ideas and B- delivery that doesn’t quite live up to the material it’s based on.
The long-awaited sophomore novel by Fred Venturini delivers. Sort of. Pretty much.
This movie looks good, but it intellectually fails in every possible way a movie can.
Let’s face it. We won’t get Lateralus again, so let’s enjoy Tool for what they give us.
The most skippable Travis McGee novel I’ve read, so far. Well, the only one.
