The first political thriller where everyone’s both right and wrong (and that’s the point).
All in Movie Reviews
The first political thriller where everyone’s both right and wrong (and that’s the point).
A movie that refuses to make you feel smart for liking it and I mean this in the best possible way.
John Wick, if he were real, a little sadder, and more likely to stub his toe.
I thought I’d hate it for being too simple and straightforward, but I actually enjoyed it for being simple and straightforward.
Tom Cruise is still the only man willing to fistfight gravity for your entertainment.
All the neons and the busy clubs in the world cannot buy a character credibility.
This isn't a film about crime, it's a film about the fear of cities, the fear of slipping down a manhole and discovering that civilization ends after taking the wrong highway exit.
Fast Times at Ridgemont High is a goofy movie, but it shoots key moments with a low-key sincerity that makes them feel startlingly authentic.
This is a horror movie where the monsters don’t smash through the gates of righteousness. They set up shop inside, change the locks, and start forwarding their mail there.
Smile 2 gives away purpose and meaning in tiny, incremental sacrifices, like a bad magician showing you the ropes instead of pulling a rabbit out of a hat.
Lurker asks what happens when seeing someone too clearly turns you into something they can’t unsee.
Ari Aster made a Western about COVID, guns, and Katy Perry and somehow, it works.
The Blackcoat’s Daughter is the kind of slow-burn horror that sneaks up on you, like a ghoulish text from your ex at 2 AM, impossible to ignore and even harder to explain.
One of the bleakest movies about grief, magic, and trusting the worst Airbnb host imaginable.
